I had trouble deciding which color palette to use with Olive. I had several shades and I kept looking at the opposite ends of the spectrum. When I finally looked in the middle, and went from there, it finally hit me which shades to use for Olive. Olive spent a lot of time hanging on my design wall this week with me just staring and thinking.
It was easy to find the larger shapes in Olive and trace them. I pieced Olive together differently than I did for Lucy. For Lucy I traced all the shapes onto the fusible web and then I ironed them onto the material. For Olive, I traced a shape and then I ironed it onto the material. I went shape by shape because even though I had the material lined up from the lightest to the darkest, and had numbered the shapes on the pattern. I just had a difficult time imagining the shades on Olive. Doing it shape by shape took a long time, because I would stop quite often and pin it on my design wall and just stare.
First, I did her body because it was the easiest to pick out the shapes and shades.
Next, I did her head, but something was missing. Her head looked flat. Thinking of my painting lessons from Karen Winslow in July, I realized the top of Olive's head needed to be darker to give the appearance of dept.
Olive's owner likes pink. I thought about making the border pink, but it just didn't work for me. So back on the design wall went Olive and I left her alone for several days to think about it. Next week, I hope to complete Olive.
Here is pretty view from our visit to Vermont this summer.
Can you believe that rainbow? The brillance of it? Also, look at the formation of a second rainbow to the right of the main one. If you look closely above the roof, you can even see the beginning of the rainbow, something I have never seen before. It was truely "candy" for the eye.
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